The date was set and the course went out to our facebook group and then onto the site for general release. As the places filled we started to plan the day – these courses take a lot of planning and meticulous styling. We knew that our resident makeup artist | Stylist & hair dressers Zan Atkinson was to be onboard on this one and we set to work looking for period outfits and pieces that would compliment the shoot. It is a fine line when shooting in a place like this that you want to do it justice and not just dress people in theatre or bikinis! So when we stumbled across an amazing shop in Coventry in the newly opened Fargo village called Heaven Vintage we knew the owner Angela would understand exactly what we needed and she wasn’t to disappoint. We had some great pieces , a 1920′s wedding dress, original Edwardian hats and clothing from Victorian era aswell as some more modern pieces that we could ad to the mix including a very vogue like underskirt that Zan had made from a wedding underskirt! Models were Jen Brook who I hadn’t worked with for a few years but we knew that her look would be perfect for a job like this and she didn’t disappoint. Model Milly from Nemesis model agency in Manchester was also onboard with a unique look that would also work great with the environment. So the day crept up on us as fast as the days are getting shorter and we were ready to go…
The kit was sorted a few days before making sure we had ample batteries and lights – with help from The Flash Centre lending us the equipment that we didn’t have we were set to go. After filling up my car & James’s car – my assistant with coffee machine | sandwiches | cookies oh and yes the lighting equipment we headed off to Liverpool to start our epic day. After arriving we had a little time for myself and James to take a look around and make a plan , although plans are there to be broken! Whilst Zan started work on our first look with Jen the photographers started to arrive and over coffee and cookies & doughnuts ( thanks to neil!! ) we went through the equipment and then went for a walk around so that they could get a feel for the place and we could start to plan our shots out a little.
The first look was ready with Jen looking the part we took our time with the first look showing the photographers how to plan a shoot and to look at layering the lights, to give the lighting purchase and meaning not just on the subject but around the subject too.
Lit with a large 6ft Elinchrom Octa bank and two small beauty dishes, with the help of a little orange gel and a haze machine we had this one licked!
After setting up shot number two in the corridoor we came back into the main hall where our kit was and thanks to haze machine the sunlight was streaming through the window in such a way that you only ever see on huge movie sets! So needless to say we took Milly from her set to this to not waste this opportunity! Using the sunlight as our main light we made sure the shadows of Milly were nicely filled in with the 6ft Octa which is my main weapon of choice for fashion work!
Make sure you get down to the end of the post for some great behind the scenes shot by my assistant James and also numerous photogs on the course. With the room buzzing with excitement from this shot and the great start we had made to the day everyone grabbed a coffee and a sandwich , a few of the photographers going for a walk around to other floors to see what they could find!
After a quick lunch our model Jen was ready with her second look and we headed off down to the lower floor of the asylum where the laundry rooms were. Using very feathered lighting we shot Jen against an old ironing station with an old stretch dummy body used to steam shirts over. This made a great background and went with the edwardian – steam punk look we were going after. Using a strip box with Elinchrom Ranger RS Speed AS pack & one small beauty dish with a shower cap on to diffuse the light.
After a super quick change we went off track and went into the tiny room next door where they used to dry the clothes with the old hangers still roped to the roof. Jen quickly on set changed into an amazing 1910 | 1920′s wedding dress - very fragile dress too from Angela’s own collection at Heaven Vintage. Using one Elinchrom Ranger RX pack and one light with a 70cm softbox we put one light next door through the window and one light in the room itself with a beauty dish – gridded to give a little bounce back and edge light to the model. Jen worked this to perfection and in the near pitch black everyone took their turn to shoot how they wished.
We then left the room and headed off for a coridoor where some natural light spilled in and took model Milly with her second look. This was a simple shot with no flash , finding an old mirror work perfectly – shooting wide open on a Canon 50mm 1.2L lens made for a super soft look to a very eerie image!
Working our way down the coridoor we used another simple background for effect , then giving the modle a breather as I think the haze machine used previously had got to her a little! This time shooting through an old smashed glass doorway , using simple doorway light to one side I used the doorframe to frame the subject.
We then took Jen outside who was now ready with her 3rd look. Zan was working as fast as she could to get the girls ready for us so we could keep on going. It is a challenge when you are teaching in such a place as you want to teach people what you are doing but you also want people to be able to shoot for themselves. At the end of the day it is a day of teaching, a day to watch, shoot, listen and take inspiration to go away and practice these techniques to do this for yourself in your own way and style.
We headed off outside for Jens look using an old doorway with elaborate ( cobweb) style glass above,keeping this one simple as we could with just one light , a 70cm softbox to override the ambiance.
With the day quickly getting away from us we headed off to probably one of the most eerie places of the whole site. A room where the main oven for the hospital was situated and I’m not talking food either! The main cremation ovens sit in a unit by themselves and were heavily used in there 35 years of service. We used the room next door to them. A place where old gurneys were stacked up and a chapel sat untouched for years. Our model Milly stood motionless and stared straight ahead going for avery strong look Zan our stylist draped a long piece of black lace over her to give a unique feel to the image with bright red lips completing the look. With time running out we took turns with the light again using just one head with a gridded softbox on it.
I knew the deadline was coming thick and fast for us to leave so we headed off to the old swimming pool house for our last look. Jen was ready and stood in the middle of the room. With the floor slightly wet and muddy from an open roof the light offered a little reflection on the ground in front of her which was great. Using the large 6ft Octabank and again a small beauty dish for separation, a little haze from the haze machine which James had managed to wire up with a few extension sockets from the main hospital! I could have stayed in this room forever as the scene was perfect. Zan had crafted a hand made boned underskirt with original vintage corsets from Heaven Vintage completed the look.
A simply amazing day that I would say will go down as one of our best training events ever. On par with France for sure! Everyone chipped in to get all the kit outside of the venue with our 6pm deadline ( strict deadline) approaching. A huge thank you to all that made it down to this event and as well as getting some great images I hope you all learned some different techniques to take away and use for your own work. Although this was a one off course we are currently looking at another venue for a possible Fashion II course that will again push the boundaries of what is achievable on a day of photographic training.
A huge thank you to Angela from Heaven vintage, to Zan Atkinson for the hours she put in before and during the day. To James Davies for assisting on the day and being a human donkey! To The Flash Centre for suppling us with some equipment for the days events. A great team up there in Leeds and if you ever need anything talk to Russ or Graham and they will sort out! Thanks to models Jen Brook and Milly from Nemesis model agency in Manchester. Watch out on the training page | courses for our next set of training days that you won’t want to miss.
Join us on our fantastic closed Facebook Training group – a great place to be and be inspired! Join me on Twitter @brettharkness and also on Instagram as Brett Harkness to see what we get up to here at BHP headquarters and on our daily shoots. If you were on this course then leave a comment at the bottom to tell others of your day!
Here are some behind the scenes images from the day and also a little video shot by one of the photographers on the course. Thanks to the photographer on the day that have let us use some BTS images below.
Thanks to Neil Proctor for snapping some video throughout the day whilst shooting!